接着侵略哪儿

　　纪录片《黎明墙》(The Dawn Wall)首曝预告，讲述两名男子徒手征服“世界最难攀登绝壁”黎明墙的经历，热血沸腾鼓舞人心[并不简单] 2015年1月，Tommy Caldwell和Kevin Jorgeson开始攀登，两人在陡峭的垂直悬崖上生活了数周，引发了全球媒体的狂热关注。对Caldwell来说，这不仅仅是一次攀登，也是证明自己的强大之处的机会：22岁时，Caldwell被吉尔吉斯斯坦叛军挟持为人质，不久后他在一次事故中失去食指。两人耗时将近20天，成功登顶加利福利亚约塞米蒂国家公园的埃尔卡皮坦山，创下了徒手攀上黎明墙的世界纪录。
　　在此之前，两人花费了6年的时间规划路线，于2010和2011年两次尝试攀爬，均以失败告终。1958年首次有人征服黎明墙，目前约有100多条攀登路线，但从未有人徒手登顶。奥巴马也曾在两人成功后表示祝贺，称“一切皆有可能”。
　　该片由Josh Lowell＆Peter Mortimer执导，将于3月11日在西南偏南电影节首映。

　　在两次采访过程中——一次在她位于伊夫林省的家中拍摄，另一次是在特鲁维尔的前黑石旅馆，玛格丽特·杜拉斯回顾了地方在她写作活动中，尤其是在她电影中的重要性。她描述了女人在这些地方的决定性在场，也就是那些从书里移动到电影中去的女人。第一次采访中，杜拉斯谈到了位于诺夫勒堡的房子，「这是她在世上居住得最久的地方」；她回顾了她作品中的女性角色以及她们自己与这所房子的关系；她谈到了花园、森林、还有女巫和音乐，以及戈雅和巴赫。第二次采访以相册的形式开始。她谈到了她出生和成长的印度支那，谈到了《堤坝》中的房子，以及她母亲命中的祸根。她谈到了她对安娜-玛丽·斯特雷特的迷恋，这是她小说《副领事》中的人物，在《印度之歌》中由德菲因·塞里格饰演。「几年来，我的电影和书已成了与她之间的情事。」

　　仰光，小诊所，由身兼艺术家的医生夫妻经营。往来病人常见心理疾病，除以药物镇定，还以作画纾解。七十年内战让这片土地笼罩恐慌与暴戾，而今，时值彼方省分爆发激烈冲突，无数罗兴亚人成难民，政局动荡山雨欲来，让男医生着手拍剧情片，试图反映现状。赵德胤重返缅甸，当国家就是一座巨大的精神病诊所，当现实比戏剧更戏剧，镜头一隅静观，日常递嬗间，高压与残酷缓缓浮现。

　　等待一甲子，传说般的神话之鸟现身
　　顶着黑色羽冠、前端像沾到黑色墨水的橘色嘴喙、一身浅灰白色羽毛，这种在1861年被人类命名以来，就鲜少见到其踪影的燕鸥，究竟只是个神话，还是真实存在世界上？
　　
　　2000年，一次底片调光机的故障，让生态摄影师梁皆得，在马祖意外发现60几年前被认为绝种的黑嘴端凤头燕鸥。自此，对这传说中「神话之鸟」怀有梦想的人们，穿梭在亚洲各国沿海，以及无数个无人小岛之间，有时遭遇大雨风浪，有时冒着跌入大海的危险，只为了能发现它们的踪迹。
　　
　　寻找神话之鸟二十年，它们的数量从八只，到现在约一百只，仰赖迁徙路径上，各国的保育行动。然而，每年夏天台风对繁殖地的侵袭，捡鸟蛋、海洋垃圾、鱼类资源减少等自然与人为破坏，仍然对黑嘴端凤头燕鸥的生存造成庞大威胁。梁皆得跟随各国学者专家，纪录着黑嘴端凤头燕鸥、当地热爱这些鸟类的人们，以及自然环境三者所相互交织的故事。

　　Katia和Maurice Krafft除了彼此相爱之外，还深深迷恋着火山。二十年来，这对热爱冒险的法国夫妇纵情于与自然之间惊险、刺激的“三角恋”。两人追随全球的火山喷发和余波，用惊艳的摄影和震撼人心的影像记录他们的发现，并通过媒体和巡回演讲与好奇的观众们分享自身经历。最终，Katia和Maurice于1991年日本云仙 (Unzen) 的一次火山爆发中丧命，但他们给世人留下了关于自然的丰富知识和遗产。
　　这部隽意满满、充满视觉震撼的作品荣获2022圣丹斯电影节美国纪录片竞赛单元最佳剪辑奖，同时亦被选为2022瑞士真实影展开幕片。

　　Lucy Worsley traces the forgotten and fascinating story of the young Mozart's adventures in Georgian London. Arriving in 1764 as an eight-year-old boy, London held the promise of unrivalled musical opportunity. But in telling the telling the tale of Mozart's strange and unexpected encounters, Lucy reveals how life wasn't easy for the little boy in a big bustling city.
　　With the demands of a royal performance, the humiliation of playing keyboard tricks in a London pub, a near fatal illness and finding himself heckled on the streets, it was a lot for a child to take. But London would prove pivotal, for it was here that the young Mozart made his musical breakthrough, blossoming from a precocious performer into a powerful new composer.
　　Lucy reveals that it was on British soil that Mozart composed his first ever symphony and, with the help of a bespoke performance, she explores how Mozart's experiences in London inspired his colossal achievement. But what should have earned him rapturous applause and the highest acclaim ended in suspicion, intrigue and accusations of fraud.

　　地点：特莱西恩施塔特，一个独特的被阿道夫·艾希曼称为“模范集中营”而宣传的地方，隐藏着其真实面目——毒气室前的最后一步而误导着世界和犹太人民。一个男人：本杰明·穆勒斯坦因，特莱西恩施塔特犹太议会的最后一任主席，被流放的落难英雄，从1938年至战争结束期间被迫与艾希曼日复一日地谈判，而到了艾希曼被审判之日却甚至没有被传唤作证，尽管他无疑是最了解这位纳粹死刑执行者的人。距离《浩劫》超过二十五年，克劳德·朗兹曼的新作展现了纳粹大屠杀鲜为人知却意义重大的一面，并前所未有地揭示了“最终方案”的起源。
　　A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before.

　　DESCRIPTION
　　Did you know, in the quest for world domination, the Nazis built some of the biggest and deadliest pieces of military hardware and malevolent technology in history?
　　Creating huge terror machines, hi-tech superguns and some of the original weapons of mass destruction, their aim was to control a nation, conquer a continent and win the war!
　　Nazi Megastructures uncovers the hidden remains of Hitler’s most ambitious Megastructures, telling the stories of the engineering geniuses that designed them and revealing how these structures sparked a technological revolution that changed warfare forever.
　　EPISODE GUIDE
　　Nazi Megastructures: V1: Hitler's Vengeance Missile
　　In retaliation for Allied bombing raids, Hitler ordered the development of the V1. The first cruise missile, it changed the face of war forever.
　　Nazi Megastructures: Hitler's Siegfried Line
　　The campaign to breach Hitler's 400 mile-long Siegfried Line took more than six months and cost the American forces 140,000 casualties.
　　Nazi Megastructures: The Wolf's Lair
　　A secret headquarters of concrete and steel is the heart of Hitler’s plans for domination and the key to a Nazi conspiracy - the Wolf’s Lair.
　　Nazi Megastructures: Himmler's SS
　　In a quest for world domination, the Nazis built some of the biggest, deadliest pieces of military hardware and malevolent technology in history.
　　Nazi Megastructures: Hitler's Megaships
　　The Bismarck and Tirpitz were battleships of record breaking proportions, ultimate status symbols of the Third Reich and hunted by the Allies.
　　Nazi Megastructures: Kamikaze Suicide Bombers
　　As America closes in on Japan in 1944, the Japanese turn to desperate new tactics: killer planes and super torpedoes guided by human pilots.

　　该纪录片将为观众呈现埃及考古学家在挖掘出一个未曾接触过4,400年的坟墓之后，试图破译这一惊人发现的历史。

　　Largely unchanged for more than a century, the projection of photochemical film faces an uncertain future in the digital age. The practice of handing and projecting film is in danger of being lost; and the role of film projectionist is nearing extinction. THE DYING OF THE LIGHT explores at the history and craft of motion picture presentation through the lives and stories of the last generation of career projectionists. By turns humorous and melancholic, their candid reflections on life in the booth reveal a world that has largely gone unnoticed and is now at an end. The result is a loving tribute to the art and romance of the movies-and to the unseen people who brought the light to our screens.