诺娜和埃斯特

　　文革中，农村青年赵天佑，因家庭出身为地主，差点沦落为神经病，无奈中入赘山区柳沟河。改革开放后，当选为村委会主任。在爷爷帮助过的长工儿子的帮助下，做起了中药材生意，几年功夫，柳沟河人靠种植中药材发家致富，赵天佑也因此成为农民企业家。常务副市长王华林看到了其中的发展前景，把文阳县开发区升级为云水市中药材开发区，极力主张中药材深加工。王华林后来被冒牌港商茹丽华拉下水，帮助她在云水市玩“空手道”套取资金。农民企业家赵天佑中了茹丽华的美人计，茹丽华骗走了柳沟河农民的中药材，然后潜逃。赵天佑迫于道德压力与法律追问，大雪天跳崖自杀。

　　约翰•舒勒（Edward José 饰）是华尔街一名年轻干练、事业有成的律师，某日他要作为特别代理人前往英国一段时间，因此不得不离开心爱的妻子（Mabel Frenyear 饰）和女儿（Runa Hodges 饰）。漫漫的旅途百无聊赖，约翰在船上邂逅了一个美丽妖艳的女人（Theda Bara蒂达•巴拉 饰），他迅速与之坠入情网，将妻子女儿抛在了脑后……
　　本片为弗兰克•鲍威尔根据吉卜林的长诗《勾魂妖妇》改编，拍摄之处，蒂达•巴拉名为奥多西亚•古德曼，她的妖艳表演使其迅速成为性感明星。为突出其神秘感，制片厂将“阿拉伯死神”（ARAB DEATH）的拼写颠倒排列成她的新名字蒂达•巴拉（Theda Bara）。

　　闭起双眼。如果你人间蒸发的话，爱你的人会过得怎样？
　　已有两个小孩的母亲Clarisse决定日出之时静静离开她的家人，驾车散散心。她本只打算歇一歇，谁不知一个又一个礼拜过去，甚至好几个月她也从未回过家。Clarisse途中没有遇过什么改变一生的人和事，反而旅途中她不断回忆起家人。难道世界少她一个人就会塌下来吗？

　　北漂知名歌手兰雨，真诚善良，无心之过导致歌唱事业跌入低谷，一蹶不振，无奈回乡逃离生活。后来回到家乡丫山遇到了台湾女孩艾雅，艾雅漂亮热情大方，为圆爷爷心愿，跨越海峡来到丫山寻找挚爱亲人。两人就这样命运的偶遇，在互相帮助之下，找到亲人，并获得了自己的爱情。

　　洪兴大飞（黄秋生 饰）手下没牙佬的女儿阿May和东星大咪的手下皇帝（黎骏 饰）相恋，两个大佬为此坐下谈判。大飞嚣张气焰令皇帝的小弟善仔等人颇为不满，他们次日大闹大飞的桑拿馆，结果反被对方修理一通。某日，大飞看望罹患癌症不久于人世的前女友阿玲，继而得之自己有一个17岁的儿子，而儿子正是善仔。虽然亲子鉴定显示了他们的父子关系，但大飞和善仔均无法接受这个事实。
　　东星社计划和云南毒贩做毒品生意，皇帝亲自操办此事。他委派善仔等人亲自前行，却暗中吞掉毒品，嫁祸大飞。在兄弟情义和父子亲情面前，善仔面临着充满艰险的抉择……

　　两个来自北京和上海的女孩，带着自己的过去相遇在318号公路，一起骑行、各自找寻、重新迷失、又再次自我救赎。经历不一样的人和事后如何面对生活、理解生命的故事。

　　苹果2024新年短片《小蒜头》官宣，《超凡蜘蛛侠》导演马克·韦布执导，范伟主演， 《漫长的季节》编剧潘依然执笔剧本，将于1月28日上线。

　　故事根据马拉·莱维瑞特（Mara Leveritt）的同名小说改编，源自“西孟菲斯三人帮”的真实事件。即1993年美国阿肯色州一起骇人听闻的谋杀案背后的故事：1993年5月5日晩，阿肯色州西孟菲斯一個小鎮的3名8岁男孩失踪，3名“不良青年”小杰西·密斯凯利(Jessie Misskelley Jr.)、达米安·埃科尔斯(Damien Echols)以及贾森·鲍德温(Jason Baldwin)被认定为嫌疑犯，并被关押18年之久。2011年8月，在18年的牢狱生活后，“西孟菲斯三人帮”被释放。
　　瑞茜·威瑟斯彭在本片中出演一位受害者的母亲，起初她坚信警方调查结果，而随着案件的深入，她逐渐开始怀疑这一案件的公正性。而科林·费斯在片中的角色是一位私家侦探，他是最初就站在被告一方的支持者，并且通过调查，列举了很关键的证据。他一直免费支援被告方，也因此在当时遭受了各种谩骂。

　　本片改编自日本当代著名作家濑尾麻衣子的同名小说，该小说于2019年荣获“本屋大赏”，横扫日本各大书店，成为平成最后一抹温柔的关照。
　　改编影片将由石原里美饰演小说中的母亲角色，永野芽郁饰演她的女儿（比石原里美小12岁）。本片预定于2021年上映。
　　影片讲述的是一个有关家庭与爱的故事。17岁的森宫优子（永野芽郁饰）是高三学生，母亲在优子还小的时候便去世了，之后优子被不断寄养，有过3任父亲和2任母亲（石原里美饰演继母），经历7次家庭形态变化，连名字都换过4次。与此同时，同时她也经历了从懵懂少年到独立女性的成长之苦。在没有血缘的亲情之间传递爱的接力棒，使她得到了最好的爱。
　　这个故事呈现了比《小偷家族》和《如父如子》更普遍的无血缘家庭现状，交织亲情、友情和爱情的感人羁绊，让人思考家人的意义：就算没有血缘，我们依然可以很幸福。

　　为了获得普利策奖，一名记者谎称自己患有精神疾病，而进入了疯人院，以此来调查一个谋杀犯。但当他逐渐接近那名凶手时，疯狂也亦步亦趋地慢慢侵袭到他的头脑......
　　这部描写疯人院中离奇案件的影片充斥着塞缪尔.富勒锐利的愤怒色彩，令人不寒而栗

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　当他们第一次见面，他是高谈阔论的有志青年，她是向往成为名演员的未来之星。而如今，婚后的他们变了。他变成了在公司做不喜欢工作的无聊上班族，她成了不入流的糟糕演员。在一次演出后，丈夫弗兰克（莱奥纳多•迪卡布莱里奥饰）与妻子爱波（凯特•温斯莱特饰）大动肝火，两人多年的积怨终于爆发。莫非婚姻真的躲不过七年之痒？悲痛的爱波整理照片，发现弗兰克年轻的照片，想起他曾经描述的“美好的巴黎”，她提出了一个计划“全家搬到巴黎”，以拯救这个家庭。但是，这看似遥不可及的计划，却成为了催化剂，将两人推向婚姻更痛苦的深渊。