失落的世界

　　2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?

 A rural fireman discovers that a secret particle collider has opened a portal to hell.

　　2045年，两极冰川融化，地球上仅存的石油和天然气在加拿大北部被人们发现了。剧中的Borealis镇是一个靠近北极的小镇，许多渴望占有这些宝贵资源的人云集于此，企业家、旅店业大亨Vic Carboneau也是其中之一。Vic声称自己最先发现这些东西，应该享有所有权，可各方势力都想要分一杯羹，一场多方战争一触即发（Vic友人之死成了导火索）。

　　2045年，一位导演从地球带着他拍摄的影像素材到达火星，素材是关于他曾经遇到过的越南原住民群体。本片从身份议题、美学、影像政治学到当地葬礼风俗，再到那些有形与无形的力量催生的文化，将科幻片元素与人类学电影相结合，阐释了时间与环境在极大程度上影响着我们对家园这一概念的理解。

　　After an alien spacecraft destroys Washington, D.C., the residents of a small town must fight off a unit of alien soldiers on the hunt for the President of the United States and the mysterious device he's carrying after his escape chopper crash lands nearby.

　　不久的将来，网络黑客尼奥（基奴李维斯 饰）对这个看似正常的现实世界产生了怀疑。他结识了黑客崔妮蒂（凯莉·安·摩丝 饰），并见到了黑客组织的首领墨菲斯（劳伦斯·菲什伯恩 饰）。墨菲斯告诉他，现实世界其实是由一个名叫“母体”的计算机人工智能系统控制，人们就像他们饲养的动物，没有自由和思想，而尼奥就是能够拯救人类的救世主。
　　可是，救赎之路从来都不会一帆风顺，到底哪里才是真实的世界？如何才能打败那些超人一样的特勤？尼奥是不是人类的希望？这是黑客的帝国，程序和代码欢迎大家的到来。.

　　异星球因为文明衰落，导致战争不断，客族大将异客率领部下准备推翻波伊夫人的统治，但无奈没有五行珠一时还攻陷不下，于是借来凤凰之力，准备给波伊夫人致命一击，就在异客将军快要攻陷波伊族皇宫时，波伊夫人将公主新月雅和新月冰送到地球，并把拥有无限力量的五行珠交予新月雅，期望她们能快速学习地球文明来复兴异星衰落的文明。

　　因人体实验成为改造人类的キサラギ，正被一个组织追击。
　　这个组织是企图征服被分割的“东京”的不死吸血鬼团体“不死骑士团”。
　　发誓为死去的头目复仇的黑帮成员们也加入了追捕，形势升级为多方对抗。
　　“原本没有理由活下去，但也没有理由被这些家伙杀掉──”
　　运用改造过的身体中嵌入的各种武器和自己特殊的“血”，キサラギ地狱般的逃生大作战开始！！！

　　布鲁斯 韦恩（克里斯汀•贝尔 Christian Bale 饰）童年亲眼目睹了父母在高谭市街头被歹徒枪杀，韦恩充满怒火。在继承了父亲亿万家产后，韦恩开始环游世界，希望凭自己的力量复仇和打击犯罪！
　　韦恩为了了解罪犯的心理，在亚洲他亲自体现了犯罪的感觉，最后被捕入狱。他在狱中遇到了武艺高强的杜卡，杜卡传授了韦恩高强的武艺和坚韧的意志力。韦恩很快被神秘的影忍者盟看上，忍者大师一直想邀他加入。
　　韦恩不久发现影忍者盟对自己的家乡高谭市另有企图，他毅然回到了故乡。韦恩在自己的庄园发现了一个地下室，从此他多了一个身份—蝙蝠侠。蝙蝠侠开始了对抗笼罩在高谭市的黑暗。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.