精神病人

　　在查尔斯·李·雷伊将灵魂注入公仔十年后，他当年的女友蒂芬妮（珍妮佛·提莉 Jennifer Tilly 饰）多年不懈寻找他的下落，终于买通警察将玩偶“楚其”的残体带出，蒂芬妮凭借不熟练的伏都仪式，将缝合的楚其再次唤醒。然而觉醒的楚其对蒂芬妮并无爱意，伤心的蒂芬妮将楚其禁锢，不想却被楚其把她的灵魂移入了另一个女玩偶的体内。两个玩偶要恢复人类身体，就必须找到埋藏在查尔斯·李·雷伊坟墓中的护身符。于是他们盯上了一对儿被长辈阻挠的恋人杰德（凯瑟琳·海格尔 Katherine Heig 饰）与杰西。两个玩偶委托后者驾车将它们送去埋葬雷的坟场，同时一路大开杀戒，私奔的杰德与杰西惊觉自己陷入了玩偶情侣的掌控……

警探本•卡森（Kiefer Sutherland 基弗•萨瑟兰 饰）因枪杀同事被迫从纽约警察局提前退休，他的婚姻也随之破裂。落魄的本暂住在妹妹安琪（Amy Smart 饰）的公寓里，终日借酒浇愁。一段时间沉沦过后，本重抖精神，找到了一份保安的工作。他所供职的五月花购物商场五年前曾被大火毁于一旦，令他倍感奇怪的是，在这座焦黑的建筑物中，那一面面镜子却格外明亮。
　　数日后，本在商场的镜子上发现奇怪的手印，而次日亦在妹妹家的镜子上见到恐怖的景象。接下来的日子里，恐怖事件接连发生……

　　纳兰慕德中学的一面墙上，有一个像人影的污渍，怎样粉刷都无法掩盖。人影自十年前的一场大火，污渍便出现了，夜半常常有怪声四起，闹鬼传闻就在校园中传开。
　　高强（徐天佑饰）、查理（李逸朗饰）、宾仔（麦子豪饰）与阿狄（张智恒饰）在强行的教育政策下来到了纳兰这所女校，学校也因此闹哄哄的。学校一直禁止学生谈恋爱，训导主任方老师（李惠敏饰）也极力阻止，因此她故意刁难几个新来的男生。可是情窦初开的年轻人还是受不了爱情滋味的甜蜜，纷纷坠入情网。
　　这是条被诅咒了的校规，犯规了的几个都离奇失踪死亡，高强与逸敏（傅颖饰）把对彼此的感觉暂时放下，决定救回自己的好友。
　　事情却不像他们想象的简单。

　　以俄勒冈州海岸为背景，陷入困境的警官伦·阿科德调查一起神秘的狼袭击事件。当他关系疏远的儿子在案件中失踪时，事情严重起来。

　　在上一集中，爱丽丝（米拉·乔沃维奇 Milla Jovovich 饰）救出了被冷冻的同伴们，众人在离开之际却被赶来的雇佣兵赶尽杀绝。T病毒使红皇后（Megan Charpentier 饰）的程序发生了错误，变得残暴嗜血的她想要杀死最后的人类毁灭地球。唯一能够阻止红皇后的只有爱丽丝一人。而此刻，失去了能力的爱丽丝却被保护伞公司囚禁在位于海底的秘密基地中。威斯克（肖恩·罗伯茨 Shawn Roberts 饰）通过病毒侵入了保护伞公司的系统，他放走了爱丽丝并告诉她，她是人类最后的希望，而为了拯救人类，他们必须冰释前嫌共同抵抗更强大的敌人。爱丽丝遇见了保护伞公司的前员工艾达王（李冰冰 饰），两人一路上奋勇杀敌结下了深厚的友谊。同时，爱丽丝旧日的战友们也组成了一个小分队，从外向内进行突围。
　　保护伞公司在海底建造了逼真的模拟城市，并使用克隆人作为T病毒的实验对象，为了抵达出口，爱丽丝一行人必须穿越东京、纽约、华盛顿和莫斯科四座城市，而每座城市中，都有属于它的丧尸们在蠢蠢欲动。

　　一个生物实验室在研究和制造一只能食肉的突变蟑螂，一天因一个员工的失误导致那只突变蟑螂成功脱离了管控并屠杀了整个实验室的员工，突变蟑螂秘密潜入了一个和平的新英格兰渔村，并恐怖地屠杀了那里的居民。

　　A police officer videotapes his wife having various sexual encounters to spruce up their marriage, which soon lands both of them in hot water with a mobster whom blackmails them to videotape an encounter with a crooked politician.

　　An extra-smart dog and detective team up to stop a DNA enhanced killer.

　　柏林近郊一間偏僻又陰森的療養院，充滿著各種不人道又恐怖的犯罪歷史。一群年輕的YouTuber 非法闖入靈異謠言最恐怖的手術區進行24小時的挑戰，並希望影片會在網路上竄紅。全副武裝戴著夜視鏡和溫度探測器，這群不怕死的網紅屁孩們決心要驗證這間荒廢許久的療養院所流傳的各種靈異傳說是否屬實。但他們很快便發現，這棟廢棄的療養院中不是只有他們而已，某種長年存在於此的神秘力量並不歡迎他們，想活著離開這棟療養院似乎為時已晚……

　　After learning that their younger sibling escaped an earlier kidnapping attempt that also killed their parents, two estranged sisters must join forces to rescue her from a group of bloodthirsty vampires.

　　老公回老家探亲却突然神秘失踪，袁茵带着女儿一路寻来，却发现村里正闹鬼，只要谁家出现鬼脸稻草人，谁家就会死人!稀松平常的日常所在，却隐藏着一个令人胆寒的骇人秘密！村里的人一个接一个离奇死去，这个不到100人的空心村里，开始被惊悚与绝望所侵蚀……杀人嫌犯、残疾兄弟、弱智少年以及老公初恋纷纷登场，看似熟悉的面孔之下，究竟隐藏着怎样不可告人的隐秘？追随着主人公的脚步一路行来，步步惊魂，刻刻虐心！当真相刨开，你会发现让人头皮发麻的故事，才刚刚开始，你所看到的一切，都未必是真相………..

　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.
　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.
　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,