呼啸山庄1992

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　故事发生在上个世纪90年代末，花田乡乡长高德明的妻子郑芬芳张罗着给自己的小妹郑晓雅相亲，郑晓雅的恋人江波得知后赶走了相亲对象，这使得郑芬芳大怒。
　　郑芬芳到江波的爸爸江德道家闹事……高德明强迫妻子去向江德道道歉却被有当地‘花王’之称的老丈人郑汉江阻止，高德明不得其解。
　　鄢陵县委县政府决定以高德明所在乡为试点，闯出一条特色农业经济的途径，让乡亲们的日子富裕起来，高德明临危受命。

　　“查德妮是我的名字:查德妮是我的生命:查德妮是我的梦想.”三个人的生活,因为一个词——查德妮(月光)交织在一起.这是查德妮、罗希特、拉利特三个人复杂的感情世界.三个名字、三颗心灵、三组梦想,还有一段至真至切的感情.
　　当查德妮与罗希特第一次相遇的时候,在那个两人呼吸急促的瞬间,爱情来到他们的身边.他们触碰彼此,愿将一生的幸福握在自己手中.但是幸福难以捉摸,它像个顽皮的孩子,使得这对年轻的爱人,无法轻易将其紧紧抓牢.一次残酷的打击降临到他们中间,命运无情地使他俩分开.心碎梦散的查德妮,带着她对爱的回忆,独自走出这段感情的阴影,面对一个没有罗希特的世界.
　　拉利特遇见了查德妮,这个男人虽然嘴角永远挂着微笑,实际上内心铭记着过去痛失所爱的悲惨记忆.拉利特的伤感回忆,渐渐被查德妮的光芒驱散了.拉利特的支持和不言而喻的爱,暗暗给予了查德妮新的生活目标.然而这时的查德妮,却走到了一个十字路口——她的过去:罗希特:她的现在:拉利特:还有她的未来:不可预知.面对人生重大的抉择时刻,她的内心即像她的未来一般彷徨,她该如何做出选择......

　　影片讲述陈雯（秦岚饰）和安凯（任重饰）因冲动分手。安凯特地为陈雯准备了一个惊喜想挽回失去的爱人，却不料被陈雯邀请的客户霍尔（冯粒饰）以及闺蜜燕妮（刘玫麟饰）打乱了计划，一场尴尬、搞笑、温馨的饭局就此上演。但陈雯不知道的是，其实在背后设局的另有其人……

　　故事发生在北极附近一个前不着村后不着店的小镇，两个年轻人在这里相遇并坠入爱河。

　　当爱逐渐变得褪色无光，婚姻的瓶颈期就随之而来了。本（布鲁斯·威利斯 Bruce Willis饰）和凯迪（米歇尔·菲佛 Michelle Pfeiffer饰）的婚姻也面临着这个难题。一方面，他们还爱着对方，另一方面却又对每况愈下的婚姻质量失去耐性。孩子们去夏令营了。这一个月里面，他们可以有足够的空间和时间重温旧梦，寻回爱情的美妙感觉。然而，他们的努力一再白费。刻意的挽回婚姻只令彼此都更清楚到了非分开不可的地步了。于是，二人协商，在孩子们回来的那天，要跟他们好好谈论离婚的决定。
　　首先反悔的是凯迪，她对本的爱情明明还在，而这个家庭的气息让她如此舍不得摧毁。凯迪的爱意让本也觉得，他们应该再为婚姻的努力一下……

　　Young Felicity lives in a monastic school. The only way to live out her sexual fantasies is together with her girlfriend Jenny. But then she receives an invitation to her sister in Hong-Kong and can't wait to finally do the real thing.

　　都说上司是员工永远的敌人，可是对于汤姆（阿什顿·库彻 Ashton Kutcher 饰）来说，那个不苟言笑的男人除了是自己的上司外，还有着另外一个身份。汤姆只是一届平凡的小员工，可他竟然对老板的女儿丽莎泰勒（塔拉·雷德 Tara Reid 饰）一见钟情，虽然明知是在玩火，可执着的汤姆却无法控制自己的感情。
　　一个千载难逢的机会来临了，外出有事的老板将照看房子的工作托付给了汤姆，这样一来，汤姆就将和丽莎单独相处一整晚！为了给丽莎一个良好的印象，汤姆做了万全的准备。谁知道，现实并没有计划的那样完美，各路的可疑分子似乎是约好了一样接二连三的前来拜访，最后甚至在房子里玩起了枪战，看着被弄得乱七八糟的房子，可怜的汤姆该如何向老板交代呢？

　　正值适婚年龄的单身女青年安安（郭碧婷 饰）是位普通的广告公司白领，她为了摆脱前男友的骚扰搬家，新邻居是一对兄妹，哥哥潘小哲（段奕宏 饰）是喜欢用生物学知识看待一切日常事务的生物学博士后，妹妹潘小星（刘雅瑟 饰）乐观开朗。一次广告提案的竞争中，平日里常常让人哭笑不得的潘小哲用生物学知识意外地帮到了安安，安安得以顺利升职。
　　安安的广告公司被收购，美国总部空降来了年轻英俊的运营总监黎夏（戴立忍 饰）。安安对黎夏暗生情愫。在好朋友周佳妮（谢依霖 饰）的提醒下，曾经在感情上屡经挫败的安安意识到感情的规则和进化论一样：弱者淘汰，适者生存。她决定请潘小哲帮忙，运用生物学的科学知识帮自己谈一场成功恋爱……

　　在巴黎傲然耸立的钟楼内，住着一位钟楼怪人——加西莫多。加西莫多自从出生起，就被邪恶的主人浮罗洛一直囚禁在钟楼内。钟楼里的生活暗无天日，幸好加西莫多结识了不少好朋友，才为他单调乏味的生活增添了一丝亮色。加西莫多总是热切的渴望着到外面的世界去一探究竟，终于，一个改变加西莫多命运的愚人节到来了。这日，他邂逅了美丽了吉普赛姑娘爱丝美拉达，他深深爱上了她。于是，加西莫多决定运用他的智慧与正义，战胜浮罗洛，为自己迎来新生。

　　电影以来自山东的叔侄俩叶振云和叶川，结伴来到改革开放初期的“花花世界”广州，在火车上相遇了同乡女大学生刘芳为开头。在三人一次次的不期而遇中，上演了一段在理想和情感之间徘徊的青春修炼曲。然而就在此时，香港商人李想的出现，又将这段错综复杂的感情推向另一个高潮。
　　在男女主人公的爱情面临各种命运考验的同时，还背负着自身对于人生未来的迷茫和追求。他们的未来将何去何从？一场跨度30年的恋曲相伴着一条充满荆棘挑战的创业之路，在电影诗歌般的叙事结构中，显得更加荡气回肠扣人心弦。

　　阿伦（谭咏麟 饰）经营着一家小小的花店，在女友决定离开他后，阿伦很长时间都生活在心碎之中。阿兰从很久以前起就默默的暗恋着阿伦，借此机会她想要乘虚而入。于是，在哥哥一丈红的安排之下，阿兰灌醉了阿伦，和他发生了关系。虽然阿伦对阿兰没有任何感情，但负责任的他还是决定开始和阿兰交往。
　　阿伦带着阿兰前往日本旅游，在旅途中，阿伦邂逅了美丽的幸子，幸子一下子就牢牢的抓住了阿伦的心，阿伦向幸子展开了热烈的追求，很快，两人就坠入了爱河之中。看着自己好不容易弄到手的男人就要跑了，阿兰当然不会善罢甘休，与此同时，阿伦和幸子之间的感情也遭到了幸子家人的强烈反对。