金钱1983

　　ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

　　基于1939年的真实故事，伊扎德饰演文学和语言老师托马斯·米勒，父母是英国/德国人，他在英国南海岸的奥古斯塔-维多利亚学院为纳粹高官的女儿们教授英语课，在校长Rocholl(丹奇)和她虔诚的助手Ilse Keller(朱里)的监督下，女孩们练习英语，学习如何成为德国女性的代表。当一名前教师的尸体被发现后，引发了一系列致命事件，托马斯被判谋杀罪，将被处以绞刑，他必须斗智斗勇躲避追捕。

　　After escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers - at all costs.

　　影片以自我救赎为主题，男主人公大梁在遭遇到家庭困难与人生困境的时候，选择了一种独特的方式来拯救自己的人生。面对金钱与人性在他面前的各种较量，大梁经历一段纠葛的内心变化，从对钱的渴望到人性堕落再到自我救赎的过程。

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

该片采用黑白画面拍摄。讲述2020年五一劳动节庆活动期间，一所中学的礼堂正举行由政党举办的蛇斋饼糭活动。与此同时，楼上课室有多名政界高层与警队，计划射伤两位议员以制造混乱，激起港人恐惧，从而加速中央实施“国安法”。两名黑社会“炒散”获分配“任务”，眼见可观酬劳，决定孤注一掷执行任务，却没想到最后被警方枪杀。而“国安法”最后亦成功通过。

　　弗朗克，五十二岁，在市郊的一个商业中心中担任夜间巡逻保安。十年前，他曾是专业技术工人和工会代表，常常忙碌于工作而不得闲，总是充满了战斗精神。而现在，他却成为了自己生活中的一个逆来顺受的旁观者，他已经厌倦这般无趣的生活。一天深夜，他发现一辆吉普车在商业中心的停车场转来转去 ， 他感觉到这似乎是在为某件大事而做准备，出于好奇心和对现实生活的灰心丧气，他决定以一己之力与之抗衡，对于他而言，这是一个再一次把命运攥在自己手中的机会……
　　Franck, 52 ans, est gardien de nuit dans un centre commercial de banlieue. Il y a dix ans, il était ouvrier spécialisé et délégué syndical, toujours sur le pont, toujours prêt au combat. Aujourd’hui il est le spectateur résigné de sa vie, et il s’ennuie. Une nuit, il voit un 4x4 qui rôde sur le parking, et sent que quelque chose se prépare… La curiosité le sort de son indifférence et il décide d’intervenir. Une occasion pour lui de reprendre sa vie en main…

　　哈尔（杰克•布莱克 饰）的父亲竟然在临终前跟儿子说以后一定要找最美丽的女孩做终身伴侣。于是他开始上演追逐不同美女的戏码，可是他的相貌平平，遇到了不少挫折。早已过了而立之年的他仍不愿违背父亲的遗愿，直到他受到了某位专家的催眠，逐步改变他以貌取人的的毛病，他观赏美女的的眼光竟然开始了很大程度上的的下降，后来他甚至爱上了体重达到150公斤的露丝玛丽（格温妮丝•帕特洛 饰），哈尔全然不介意露丝玛丽笨重的身材，他感觉自己的女友是最善良的人，无可救药的彻底爱上了对方。
　　好友马里西奥不忍哈尔有个相貌如此不堪的女友，经想方设法要破除掉施用在哈尔身上的催眠术……

　　元々『ハッピーアワー』クラウドファンディングの特典として企画された短編。現時点で濱口竜介の最新作である。ドキュメンタリー、正面ショット、ダンス…とこれまでの濱口作品のモチーフが頻出する一方で、新境地とも言うべき軽やかさが印象深い。それをもたらしたのは、『PASSION』『永遠に君を愛す』出演の岡部尚との久しぶりのコラボレーション、そして新たな協働者である小川あん、玄理の瞳の輝きだろう。虚実の間を揺れ動く”インタビュー”シーンは必見。

　　年青的时候，死亡总是好像很遥远。初次接触，往往是从亲人的离去开始。在里斯本一个炎热的夏天，大卫的外公快将离去，害怕面对将要失去亲人的现实，大卫拒绝探望他，留下他母亲天天在医院陪伴外公。外公离去后，大卫明白到自己将要成为家中的男子汉，但他还未作好长大的准备，更不想担当家中的男丁角色。但是，他的青春期却离他愈来愈远……

　　故事发生在山西省汶水县云周西村，年幼的刘胡兰（池华琼 饰）当了儿童团长，协助大人们做力所能及的抗日工作，带领伙伴们站岗放哨查路条。抗战胜利后，阎匪来了，刘胡兰参加了妇女干部培训班，懂得了更多革命道理。1946年6月，她光荣加入共产党。被组织派回村组织妇女做军鞋、送公粮，支援前线。并与伙伴雪梅（李秀东 饰）乔装混入伪公所，将敌人骗出，交政府镇压。1947年某日，因叛徒出卖，刘胡兰和部分村干部被捕，阎匪张大胡子（李兰发 饰）威逼利诱，逼迫她说出暗藏党员和农会干部名单，不然就铡死她，刘胡兰大义凛然，厉声回答：怕死就不当共产党员！然后从容躺在已经杀害过六名村干部的铡刀下......

　　【战火中的腹黑小姐x女仆】
　　【一战爆发前，来自斯洛伐克小镇的贫穷15岁少女安卡来到布拉格，成为一个富裕家庭的女佣。她遇到了蕾茜，一个出身于贵族家庭的女孩。安卡和蕾茜，两个同年出生的女孩，但身处社会阶梯的两端，彼此成为灵魂伴侣。她们成为最好的朋友，情人，也是这个男性主导的世界中的唯一光明。】