在勃艮第的一年

　　Since the uprising of a pro-Russian insurgency in eastern Ukraine in 2014, hundreds of women joined the army. Only a few made it to the front line. Filmmaker Masha embeds herself in the war zone to follow the daily life of the three of them.

       《早餐中国》是腾讯视频与福建省广播影视集团东南卫视、海峡卫视联合出品的大型美食纪录片。《早餐中国 第5季》从“早餐中国”拓展到“中华”早餐，新增海外华人的早餐选题。它通过食物这一普世语言，让观众看到文化的韧性、移民的生存智慧，以及个体在异乡扎根的生命力。这种记录不仅关乎美食，更关乎身份、记忆与归属感。每一道早餐里都隐藏爱的秘密。流动的爱、食物的能量，丰沛你我的每一个清晨。无论如何，先吃饭吧！

　　十座格莱美奖获奖艺人泰勒斯威夫特《Taylor Swift: City of Lover》超长MV呈现来自多白金销量认证专辑《Lover 恋人》中曲目的未曝光现场。超长MV中，泰勒斯威夫特表演了获得多项大奖肯定的《Lover恋人》专辑中的曲目。《Lover恋人》专辑是去年中国大陆销量最高的国际艺人全长专辑。《Taylor Swift: City of Lover》超长MV让歌迷一览前所未见的后台花絮，在这个由于新型冠状病毒导致《Lover恋人》巡演取消的特殊时期，该视频将成为泰勒今年公开的唯一一部现场影像。

　　主持人Graham Bell和Ed Leigh穿越天寒地冻的加拿大不列颠哥伦比亚省，前往2010年冬奥会的起源地。一路上，他们拜访了与世隔绝的偏远居民，了解他们是如何在冰天雪地里生活的。他们走访了当地的矿工、伐木工和猎手。最后他们徒步翻越海岸山脉来到冬奥场馆Whistler。(文： life_is_good@YDY)
　　Graham Bell and Ed Leigh journey southwards through the frozen province of British Columbia, Canada, towards the home of the 2010 Winter Olympic Games. En route, they travel through remote communities cut off from civilisation through the winter, learning how the locals survive off the land.
　　Leigh and Bell experience this harsh life for themselves alongside miners, loggers and hunters, and find out what it is like to function and work in such harsh conditions. Their journey ends with a gruelling trek on foot through the spectacular Coast Range Mountains into Whistler, one of the Olympic venues.

　　在这部纪录片剧集中，艾塔娜坦露并回顾自己从普通青少年成长为炙手可热的国际流行歌手所经历的私密时刻。

　　2019年阿姆斯特朗壮全长传记纪录片

　　每个人背后都有一个足以撼动心灵的故事。法国知名的摄影师Yann Arthus-Bertrand就用了3年的时间，走访全球60个国家，让2,020位不同肤色、种族、性别的人，在镜头前诉说自己的故事。由乌克兰的自由战士、马里的农民，到美国的死囚，各人的故事集结成一部纪录片《HUMAN》。
　　纪录片中，受访者只站在纯黑色的背景中细诉自己的故事，没有花巧的剪接，甚至不多赘述受访者的身份。每个人自身的经历，足以为观众带来震撼。

　　时尚“男魔头” 安德烈·莱昂·塔利是美国版《VOGUE》时尚杂志前任总编，这次时尚的聚光灯汇聚到了他身上。本片通过采访与安德烈熟识的诸位设计大师和时尚名人，如Anna Wintour, Marc Jacobs, Tom Ford, Bethann Hardison, Valentino, and Manolo Blahnik，将他的职业生涯乃至人生展现给观众。

　　Documentary exploring the life and work of the novelist, poet, social critic and self-proclaimed 'outsider', who was often persecuted for his explicit subject matter.

　　中央戏剧学院是中国千万年轻人心目中的明星摇篮，但即将毕业的五位大四学生忧心忡忡。毕业大戏任务艰巨，排演的美国经典音乐剧《名扬四海》（FAME）是中国大陆和百老汇第一次正式合作，在长达八个月的排练过程中，他们必须承受来自家庭和学校的压力，正视自己在性格上的缺点，从而在浮躁不安的现实社会中找到各自的成名之路。

　　The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
　　The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
　　Part 1 comments on:
　　■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
　　■"Konkurs" ("Audition," 1963) by Miloš Forman
　　■"Křik" ("The Cry," 1963) by Jaromil Jireš
　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt
　　■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
　　■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos
　　■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
　　■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
　　Part 2 comments on:
　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
　　■"Stud" ("Shame," 1967) by Ladislav Helge
　　■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
　　■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
　　■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
　　■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
　　■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
　　■"322" ("322," 1969) by Dušan Hanák
　　■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
　　■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný