由于杏（平手友梨奈 饰）转往美国的法律事务所，藏前（室毅 饰）失去了负责照看的律师，因此被所长暗示即将终止契约。刚好此时，他得知人气“艺能型律师”樋口新（木南晴夏 饰）正准备从事务所独立开业。藏前随即亲自上门请求：“请务必让我在您手下工作。”在被爽快答应的当场，他慌忙签了文件，却不知道这正是“地狱的开端”。
Inspired by true life events, in the Oyo Empire in the 1940's, Elesin Oba, the king's chief horseman, succumbs to the lure of beauty and sexual desire on the very evening he is set to die in order to fulfil his lifelong debt of ritual suicide to accompany the dead Alaafin to the realm of the ancestors, he derails from a very important generational and spiritual transaction. This sets in motion a series of catastrophic consequences, in a spell-binding film of emotions, humour, and tragic role reversals that puts ancient beliefs and customs on trial in an ever increasingly post-modern and Western world.
本片根据自幼患有自闭症的美国动物科学家、畜牧学博士——天宝·葛兰汀（克莱尔·丹尼斯 Claire Danes饰）的个人自传改编而成，讲述天宝与众不同的成长经历。 天宝四岁时被医生诊断为自闭症，母亲尝试多种方法让天宝开口说话。为了让天宝拥有正常人的生活，妈妈忍痛送她去一间寄宿学校念书。在这里，天宝认识了开启她天赋大门的恩师卡洛克博士。在恩师的帮助下，天宝顺利考入了大学。临上大学前的暑假，天宝来到姨妈家的农场度假。自此，天宝对牲畜产生了浓厚的兴趣。在大学里天宝制作“挤压机器”来平复紧张情绪。毕业后，天宝继续从事畜牧业的研究学习，设计出大大提高屠宰率且更为人道的屠宰方式。天宝以她独有的方式去认知世界，“像牲畜一样的思考”，在自闭症研讨会上大声的讲出自己的亲身经历……
Masht Hassan在一个遥远和荒凉的村庄里拥有唯一的母牛。他把母牛当作他自己的孩子。当他离开出去远方做事时，他的母牛死了。知道Masht Hassan和他的母牛之间的关系，那些村民急速处理尸体，并当在Masht Hassan回来时，他们告诉他他的母牛逃走了。Masht Hassan疯了，他开始在谷仓里度过他的全部时间，吃干草，并且慢慢地觉得自己就是母牛。 此片是伊朗的第一代导演达瑞什·麦赫瑞作品，是伊朗新浪潮的开山之作。
杜天明（张学友 饰）是国际慈善机构香港分部的总干事，同时也是一位非常虔诚的基督教徒，凭借着出色的口才，杜天明经常在教堂里传教，深受信徒们的喜爱和信赖，其社会地位可以用德高望重来形容。 某日，机构里来了一位名叫蜜雪儿（林嘉欣 饰）的女助理，蜜雪儿被杜天明所散发出的成熟气质深深的吸引了，两人之间的距离越来越近，但碍于身份和社会地位，杜天明并不敢对蜜雪儿有任何的非分之想。杜天明即将被调到英国，出任亚洲区的总干事一职，临行前，他决定和蜜雪儿来一场“最后的晚餐”，哪知道当晚气氛实在太好，在车里，杜天明终究是没有抵挡得了人性的诱惑，做出了之后改变了他一生的决定。
姚芊芊腹中的孩子即将足月，为了让大家相信孩子是太子的，郑贵妃命她带兰心去郊外寺庙进香，自己则安排手下装作歹徒袭击二人，让姚芊芊有理由“受惊早产”，并想伺机除掉兰心。谁知，姚芊芊真的受惊动了胎气，幸有兰心全力相助，这才九死一生，在途中产下一子。从此，姚芊芊视兰心为生死之交，王恭妃见状，却误以为兰心被郑贵妃收买。王恭妃明白梅儿和兰心情同手足，为防止梅儿随兰心一同倒戈，她开始用各种方式离间两人的关系 。 梅儿原是上官大人与歌女李月棠之女，实为兰心之妹。
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
影片根据泰·加涅发表的的文章《高处：雪地里的脚印引发了一场温情救援》(High Places: Footprints i n the Snow Lead to an Emotional Rescue，暂译)改编，讲述了母亲、护士兼登山爱好者帕姆·贝尔斯的故事，当她独自跋涉华盛顿山，被暴风雪困住时，她遇到了陌生的登山者并为其展开了一场大胆的营救。
清醒后的三火去找馆主理论，发现她有很多事瞒着自己。三火则打算带着江流儿等人离开天都城，却发现醉酒的老沙被白骨姬绑走，筹码则是与众人交换江流儿。颲与三火设圈套为抓获白骨姬，上演苦肉计大打出手。为套出情报众人决定带着白骨姬去找能够窥探记忆的窥心老人，却发现了白骨姬令人唏嘘的过往。
1965年是马丁·路德·金与黑豹党、披头士与越战、白人在篮球领域统治天下的时代。 高中女子篮球教练唐·哈金斯（Josh Lucas 饰）接到德州西部大学的聘用，虽然提供的待遇不高——一家人只能暂住男生宿舍，董事会的资助也不足以招揽高水平运动员，但由于将要执教的是一支NCAA(美国大学联盟锦标赛）第一赛区的球队，哈金斯还是承接下来并马上同助手展开范围广泛的定位在黑人选手上的球员搜寻。 教练组陆续找到了七位天赋优异的黑人球员，这些球员性格迥异，各有所长。在经历了一次热血对决之后，黑白球员很快打成一片，投入到哈金斯教练严酷的训练中去。球员偶尔的违规行为跟篮球理念的区别让教练与球员们逐渐成长着…… 终于迎来了赛季开始的时刻。德州西部队一路凯歌，面对种族主义者的暴力威胁、部分舆论的轻视，哈金斯教练决定和他的黑人球员们一起冲向光荣之路的顶点……
故事发生在第二次世界大战期间，一部分德国军官亦对希特勒（乌多·申克 Udo Schenk 饰）的残酷暴政感到不满，他们希望能够除掉纳粹党，同盟军和解。然而希特勒生性谨慎多疑，其行踪更是飘忽不定让人捉摸不透，之前的诸次暗杀计划均以失败告终。 唯一有希望接近希特勒的，是一位名叫史道芬贝格（赛巴斯汀‧柯赫 Sebastian Koch 饰）的年轻军官，他战功赫赫，深得独裁者的赏识和信赖。和副官赫福特中尉（哈代·克鲁格 Hardy Krüger Jr. 饰）一起，史道芬贝格带着装填着炸药的行李箱踏上了充满未知和危险的旅途。炸药虽然成功引爆，史道芬贝格亦顺利逃脱，但遗憾的是，希特勒并未丧命，这次暗杀计划的策划者们将要面对的命运，只有死亡。
落魄律师丁义峰接到一桩看似证据确凿的“铁案”，他决心以“无罪辩护”东山再起。让人意想不到的是，嫌疑人金喜妹拒绝了丁义峰，竟一心求死。眼见是否必定为实？耳听是否必定为虚？重重迷雾之下，真相扑朔迷离……
