786
10.0

战争与青春

导演:
今井正
主演:
工藤夕贵,树木希林,佐野圭亮,井川比佐志,奈良冈朋子,河原崎长一郎
别名:
未知
10.0
786人评分
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简介:

  《战争与青春》 1991 日本
  今井正 1921年1月8號出生於東京都涉谷區元廣尾丁
  39年以<沼澤兵學校>的導演出道,從<再見相逢之日>到<小菊與小修>,在這十年裡一共獲得了五次電影院旬報第一名
  91年<戰爭與青春>成為了他的遺作,因腦膜出血在同年的11月22日逝世。
  《战争与青春》War and Youth (aka Senso to Seishun):1991
  日本1991年日本社会派大导今井正遗作,工藤夕贵一人分饰两角,技惊四座,荣获蓝丝带最佳女主角奖。 简介:暑假将至,高中二年级的由香里(工藤夕贵饰)的暑期末珙O「战争再体验」。原来,由香里所住的地区是1945年美军空袭东京时受灾最严重的一区,老师要同学趁着暑假,向父母请教当时的经历,写成十页以上的报告。一直认为战争乃「事不关己」的由香里,想起经常呆坐在公园的早季子姑妈,可惜她只不停地凝望着电柱,哼着童谣,由香里无法与她沟通。后来,她从爸爸的口中得知年轻时的早季子(工藤夕贵饰)在二战的惨痛经历,而她那未满一岁的女儿就是于空袭当晚在那支电柱旁边失踪,而她四十多年来一直在守候在那电柱旁,期待女儿有一天会出现。可惜,早季姑妈不久便去世了。此时,从韩国来了一个会说日文的女士,她声称自己是空袭时的孤儿,可能正是早季子一直在找的女儿……

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简介:

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

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1981
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