强盗1996

　　特警组干探阿杰是罪恶克星，但他妹妹却死于软性毒品，阿杰伤心之余，决心转移到环头警署，全力打击毒贩，将毒祸清除，期间与毒枭阿龙结下不解的仇怨。但阿杰在某次执行任务时，无意中救了龙的妹妹阿敏，敏是软性毒品受害者，杰帮助敏脱离罪恶行列，重新做人，而敏对杰留下好感，便听从杰的劝告去改过，二人朝夕相处，情愫渐生。龙因此大动肝火，想拆散二人，但失败再加上杰创龙的生意，龙在末跆，竟然以敏的生命来陷害杰，但毕竟邪不能胜正，杰凭他在特警中的干练身手将龙正法及将敏救回再续前缘。

　　曾经和平富饶的国度阿拉盖西亚，如今陷在邪恶国王（约翰·马尔科维奇 John Malkovich 饰）的暴政统治下，期待神灵解救敢怒不敢言的人民。一日，农家少年伊拉贡（艾德·斯皮尔斯 Ed Speleers 饰）在林中拾获一枚奇石，不想竟是一枚龙卵，孵出一只蓝色飞龙。伊拉贡为小龙取名“萨菲拉”，遇到先知布鲁姆（杰瑞米·艾恩斯 Jeremy Irons 饰）后，才明白这是一场怎样的机缘——曾经守护这片土地的龙骑士应该回来了，带领人民找回自由。在布鲁姆的指导下，伊拉贡开始学习剑术和驭龙技巧，慢慢从一个普通少年成长为担当重任的龙骑士，前路危险重重，前路通向光明……
　　本片根据同名小说改编而成，是《遗传三部曲》中的第一部。

　　明仁宗朱瞻基即位后，汉王仍不死心，想图谋造反。朝廷太傅钱大人一家被灭门，案件震动京城，秦风等锦衣卫和顾不凡展开调查，起初，种种证据指向有谋反意图的汉王。然而，秦风的兄弟唐胜从蛛丝马迹中发现：幕后凶手应该是赵王！案情扑朔迷离，真相逐步被解开，赵王原来是被陷害，而皇帝原来有着更深层的顾虑。锦衣卫诸兄弟各为其主，终不免走上割袍断义的绝路！“兄弟乱我兄弟者，必杀之！”秦风不能辜负兄弟，更不能辜负天下苍生，他拼死去周全，在兄弟情义和天下大义之间苦苦挣扎！
　　“为天下，为兄弟！”，这是锦衣卫曾经的誓词，然而，秦风还能再次谱写传奇吗？

　　主修艺术的罗杰可（李国豪 饰），因目睹画廊老板被芝加哥黑道份子索拉诺枪杀，而被列为追杀对象；没想到这位外表温文儒雅，却有一身了不起功夫的目击证人，竟是索拉诺的致命剋星！

　　斯科特·阿金斯饰演的囚犯得到了监狱暂许出行的机会。他找准时机甩掉了监视警察，继续他的复仇之路，让仇人血债血偿。他也借此机会寻找多年前早已迷失的自我，实现自我救赎。
　　斯科特·阿金斯继《意外杀手》《讨债人》等再度和导演杰西·约翰逊合作，向经典黑帮片致敬。

　　从美国运送英国太空船半途失去了行踪，这引起了美英两国的高度重视，于是英国军方派出了007邦德（罗杰•摩尔 Roger Moore 饰）前去追查。经过调查，007发现了这件事背后后隐藏的另一个阴谋。世界上某个组织正在在制造一种神经麻痹气体，该气体是由一种极稀有的尼格拉兰花提取出来的；当邦德在这种兰花的产地详细调查后，一个足以震惊世界的大阴谋浮出了水面。原来，该组织已经在太空中建立了一个太空城，为了称霸世界，他们准备从太空城中发射50个自行研制毒气弹袭击地球上的50个大城市。邦德发现他们的阴谋后，准备飞上太空阻止他们这个疯狂的计划！

　　宦官弄权的明朝末年，苛税与暴政弄得民不聊生。张君宝（李连杰）与董天宝（钱小豪）是一对自幼在少林寺长大的师兄弟，但两人性格迥异，张君宝善良忠厚，董天宝则狡猾阴险，在争夺进入达摩院修行的资格时，两人因与师伯发生争执，被逐出少林。
　　出寺后，两人因志向渐不同而分道扬镳，董天宝贪图荣华参军，张君宝则与一群仁人志士一起劫富济贫。为求高官，董天宝向大宦官刘瑾出卖大批旧友，一时间血流成河。为替义士报仇，也为帮民除害，张君宝在秋雪（杨紫琼）的帮助下，从其师傅的气功心法中悟出一套武林奇功“太极拳”，开始勤加练习，准备不日与敌手来场血战。

白添身怀造物绝技，以铁匠身份隐藏于山野，因姐姐白羽欠下巨额赌债，被赏金客尉迟仞胁迫，接下进入涅槃院寻宝的任务，一路危机重重，白添发现这一切与他的身世有关，最终，三人被卷入阴谋之中，为阻止灾难的发生，拼尽全力殊死一战。

　　高塔姆，著名摇滚明星，在一场演唱会中途意外去“追凶”，而后“杀”死了杀害其父母的凶手，随后便去自首。可是......结果却让人非常意外，从新闻记者萨米拉拍摄的视频看来，他根本就是一个人在“作为”，并没有任何的受害人，于是他被医生诊断为“臆想症”。可高塔姆却一直顽固地认为他有过去、有父母，其父母也是被杀害的。虽然所有人都不相信他，但高塔姆依然坚信自己的想法，依然不断追凶，而萨米拉对其非常感兴趣，也跟随高塔姆去了果阿。而追寻的过程中，事情的真相逐渐浮出水面......

国际安保公司派出龙啸虎与战友高峰一同押运未知生物，归途中意外遭遇黑帮持枪拦截，发生意外，并且被嫁祸为绑架犯，遭遇家人和同事的重重误会，苦心潜伏三年后终于又遇真凶，此时的他被迫逃亡，并从此开启了一段找寻真相的旅程。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.