太空争霸战

　　在新奥尔良的街道上，关于神秘新药丸的消息开始传播开来，这种药丸可以解锁每位使用者独特的超能力。但问题是：在服用之前，没人知道用药后会发生什么。一些人会进化出防弹皮肤、隐形能力和超强力量，也有很多人会表现出更致命的反应。但是，当药丸使城市内的犯罪升级到危险水平时，当地警察（约瑟夫·高登-莱维特饰）与一名少女小贩（多米尼克·菲什巴克饰）和誓报私仇的退伍士兵（杰米·福克斯饰）联手以硬碰硬，他们冒着服用药丸的风险，以追踪并制止制造出该药丸的团队。

　　未来世界，秘密系统“白金数据”得到开发，日本全国人民的DNA数据被存储其中，进而借此构建了一个检举率100%、冤案率0%的理想社会。可即便如此尖端的系统，也被代号为“NF13”的连环杀人案所难住，凶手犯案累累，且至今下落不明，甚至连“白金数据”的开发者蓼科兄妹也惨遭杀害。此后不久，特殊解析研究所的天才科学家神乐龙平（二宫和也 饰）对蓼科早树（水原希子 饰）尸体上提取的嫌疑人基因进行解析，竟发现真凶的矛头指向自己。凭借同事白鸟理沙（杏 饰）的帮助，神乐连忙逃脱，而以刑警浅间玲司（丰川悦司 饰）为代表的搜查一课早已在这座城市内部下天罗地网。在此过程中，神乐自身的秘密逐渐付出水面，真相更是出乎所有人意料……
　　本片根据著名推理小说作家东野圭吾的同名原作改编。

　　因偶然的事故而独自留在了宇宙中的男人（都暻秀 饰）和想要让他平安返回的地球上的另一个男人（薛景求 饰）间的殊死故事。

　　安和汉娜为逃离灾难到了一个与世隔绝的荒凉小岛。在海滩边她们发现了一所废弃的房子。对于相爱的安和汉娜来说，距离既是一种必需，也是一种折磨。汉娜脆弱的身体状况也时不时提醒着两颗孤独的心。。。

　　在上一集中，爱丽丝（米拉·乔沃维奇 Milla Jovovich 饰）救出了被冷冻的同伴们，众人在离开之际却被赶来的雇佣兵赶尽杀绝。T病毒使红皇后（Megan Charpentier 饰）的程序发生了错误，变得残暴嗜血的她想要杀死最后的人类毁灭地球。唯一能够阻止红皇后的只有爱丽丝一人。而此刻，失去了能力的爱丽丝却被保护伞公司囚禁在位于海底的秘密基地中。威斯克（肖恩·罗伯茨 Shawn Roberts 饰）通过病毒侵入了保护伞公司的系统，他放走了爱丽丝并告诉她，她是人类最后的希望，而为了拯救人类，他们必须冰释前嫌共同抵抗更强大的敌人。爱丽丝遇见了保护伞公司的前员工艾达王（李冰冰 饰），两人一路上奋勇杀敌结下了深厚的友谊。同时，爱丽丝旧日的战友们也组成了一个小分队，从外向内进行突围。
　　保护伞公司在海底建造了逼真的模拟城市，并使用克隆人作为T病毒的实验对象，为了抵达出口，爱丽丝一行人必须穿越东京、纽约、华盛顿和莫斯科四座城市，而每座城市中，都有属于它的丧尸们在蠢蠢欲动。

　　讲述了生物学家钱幂（杨雪 饰）在科研过程中研制成功了一种变异病毒。但很快病毒开始入侵人体控制人类，并大规模猎杀各种生物，给人类造成巨大威胁。而钱幂的丈夫云计算首席科学家杨秀波（黄觉 饰）为了拯救被病毒控制的女儿，随即展开了一场惊心动魄的追杀。

　　一个少女和她父亲来到外星球勘察神秘矿石，但那座充满危险的森林里还有其他人，很快勘探变成了一场绝命逃亡。

　　An insane scientist doing experimentation in glandular research becomes obsessed with transforming a female gorilla into a human...even though it costs human life.

　　腿有残障的科学家桥本良晴（江口洋介）率领科学小组（大S、陈柏霖等）发明“孟结海绵”，捕获囚禁了一个十三岁男孩的鬼魂，为了查出该男孩的死因，以便自己死后也能变成类似的鬼，桥本良晴找来有超常能力的探员叶起东（张震），令其跟踪被放出去的男孩。最终，叶起东发现男孩是被他的亲生母亲杀害。
　　其后，叶起东从男孩的双眼间看到一条细丝，它似乎连接着某种神秘的力量。科学小组成员因为害怕男孩伤害他们，再次将他隔绝拘禁，不想因此扰动了细丝的另一端，更为恐怖凶残的力量被释放出，小组人员先后一一离奇死亡，叶起东与女友（林嘉欣）也受到该力量的追踪。

本片通过一行科考队员在深山与巨型大猩猩的相遇以及相处的过程，讲述了由巨型大猩猩养育的人类孩子顾尧与前来科考的马可父母相逢并且相识的过程，故事精彩并且曲折，画面壮美且瑰丽，展现了人与自然需要和谐相处的这一亘古不变的主题。

　　艾迪（汤姆·哈迪 Tom Hardy 饰）是一位深受观众喜爱的新闻记者，和女友安妮（米歇尔·威廉姆斯 Michelle Williams 饰）相恋多年，彼此之间感情十分要好。安妮是一名律师，接手了生命基金会的案件，在女友的邮箱里，艾迪发现了基金会老板德雷克（里兹·阿迈德 Riz Ahmed 饰）不为人知的秘密。为此，艾迪不仅丢了工作，女友也离他而去。
　　之后，生命基金会的朵拉博士（珍妮·斯蕾特 Jenny Slate 饰）找到了艾迪，希望艾迪能够帮助她阻止德雷克疯狂的罪行。在生命基金会的实验室里，艾迪发现了德雷克进行人体实验的证据，并且在误打误撞之中被外星生命体毒液附身。回到家后，艾迪和毒液之间形成了共生关系，他们要应对的是德雷克派出的一波又一波杀手。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.