《雷霆特攻队*》中集结了一支颠覆传统的反英雄团队——“二代黑寡妇”叶莲娜、“冬兵”巴基、“红色守卫”阿列克谢、“幽灵”、“模仿大师”和“美国密探”约翰·沃克。在发现陷入了瓦伦蒂娜设置的死亡陷阱后，这群已不抱有幻想的弃儿必须开始一项危险的任务，迫使他们面对各自最黑暗的过往。这个混乱的“最低配”团队是否会一盘散沙内部瓦解，还是会在为时已晚之前及时完成救赎并团结起来呢？
An imaginary place called Anjanadri where the protagonist gets the powers of Hanuman and fights for Anjanadri.
一个贩毒集团前撞的人成为一个地方为他们的罪付出代价，找到救赎。
树妖黑山祸乱三界，后被四妖灵共生生老病死四门将其封印。世间唯有灵隐人蒲松龄可通过书写解开四门封印，蒲松龄写《画皮》、《婴宁》、《小谢》，打开了生老病前三门放出黑山分身。黑山分身同天女打斗之际，身形俱灭的天女借助蒲松龄的妻子甄娘化形。带蒲松龄一同前往妖界关闭三门，但其本就对发妻甄娘心生厌恶，闯关之际，一路上感受到和甄娘在一起的点点滴滴，将黑山封印，但甄娘却再也回不来……
吕米高（王合喜 饰）高价竞得了一尊石像，考古学家陈教授（岛田阳子 饰）向其借来了石像，研究隐藏在其中的长生不老药的谜团。陈教授派出了学生庄健（原子鏸 饰）和小敏（李昭 饰），两人前往中印边境，寻找遗失在那里的石板，途中，两人结识了当地的向导小鬼（释小龙 饰）和考古系学生张军（张晋 饰），众人结伴而行。 一行人最终找到了石像，却引来了杀身之祸。在石板中，陈教授发现了一张古墓地图，长生不老药就隐藏在古墓之中。此时，张军揭下了伪善的假面，露出了贪婪而又邪恶的真面目，竟想要抢夺藏宝图。在争抢之中，庄健和小敏失散了。
香港地区一起杀人案的唯一目击证人Michelle（钟丽缇 饰）正被杀手追杀，因为其未婚夫是与大陆高层关系密切的富商，身手不凡的中国特警许正阳（李连杰 饰）便被中央委派去香港保护Michelle。 两人初接触时互看两生厌，但慢慢都发现了对方的优点并产生了感情，然而因为身 份和工作性质，许正阳尽量将感情压抑，却免不了在刻意回避时患得患失，就在两人感觉无从择决时，一个异常危险的杀手悄悄靠近了他们。
大胆去闯，就是福尔摩斯精神。 初尝破案滋味的艾诺拉·福尔摩斯（米莉·波比·布朗 Millie Bobby Brown 饰）意犹未尽，决定追随哥哥、名侦探夏洛克·福尔摩斯（亨利·卡维尔 Henry Cavill 饰）的步伐，设立自己的侦探社。她万万想不到，原来女侦探生意这么难做。她无可奈何地接受成人世 界的冷酷现实，打算关门大吉之际，身无分文的卖火柴女孩却找上门来。艾诺拉终于接到第一宗生意，受托为女孩寻回失散的姊妹。然而，这案件比她想像中复杂得多，艾诺拉更因此走进陌生之地，陷入险境。她去过伦敦阴森诡秘的工厂和绚丽堂皇的音乐厅，混入顶尖上流社会，甚至回到贝克街221B。艾诺拉意识到一场流血阴谋将要爆发，不得不急召朋友和哥哥夏洛克帮忙，助她脱离困局。这场侦探游戏又再刺激起来！
The Last Victim is a Neo Western thriller set in the American southwest, following Sheriff Hickey trying to solve the worst case he has seen in his small town, likely caused by a violent local gang led by a fearsome criminal.
传说唐人街是黑社会的天下，各堂口之仇杀事件更不断发生。雷振是唐人街堂口头目，为人正直常不值其他堂口的种种暴行，而与各堂口结下不少仇口。曹安达是雷以前大学同学，又是别堂口头目，本是好友但因环境有别，便渐成水火。一日曹弟因醉酒在雷堂口之街道斗事，被雷手下枪杀，曹知其弟死讯后，即断定为雷所为，而其他堂口亦加入对付雷，一场血腥大屠杀随即展开……
库尔特·哈里斯，一名落魄的警察，因自己的朋友被黑帮老大所杀害而潜入该黑帮做卧底，誓要找到证据将凶手绳之于法。而在这段不见天日的卧底生涯里，除了要面对各种突变状况，掩饰身份外，他也渐渐刺探到一个惊天秘密——为了能获得更丰富的利润，他们竟派黑帮女卧底去竞选市长，而为了达到目的，她将不择手段……两个卧底之间的暗中较劲势必又将掀起另一波腥风血雨！
本片是根据真实事件改编而成。尚克劳范达美在本片中饰演一位功夫高手，必须在毫无规则限制的拳赛中为自己的性命放手一搏。尚克劳范达美饰演法兰克，参加一种传自香港九龙的非法秘密拳赛，并希望成为首位赢得该赛事的西方人。然而在赢得第一场胜利后，法兰克发现自己要烦恼的事不只是要如何赢得冠军，情报局探员要他退出比赛，一位美丽的记者想报导他的故事，更不用说他的对手想要他的小命！ 1986年由尚格云顿首部挂牌主演的《血点》，这部在香港拍摄，预算只有150万美元的低制作成本电影，杀青后还曾因整体效果不佳而被冷冻了两年之久，直到1988年尚格云顿亲自重新剪辑并恳求制作人后方能在各地电影院放映。《血点》意外地卖座奇佳，全世界的票房收入高达3千万美元，范达美也初尝在国际影坛走红的滋味。 本片改编自空手道传奇人物Frank Dux的传奇经历。
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop? Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
