绝命列车

　　民国初年，燕南大学考古系教授的秦羽偶得藏龙墓线索，立即着手准备组建考古队伍，墨班机关术传人韩阳身手不凡，遂邀请其参加考古挖掘。为筹钱二叔治病，韩阳不顾二叔的劝阻，答应同行。与秦羽相熟的地方军阀李大勋得知此事，主动资助考古。秦羽带韩阳、女儿秦卿、学生杨沫、罗子钦和李大勋之女李冰瑶组队出发。不料，江湖传言葬龙墓有一至宝龙珠，韩羽一行被另外两个盗墓团伙跟踪。经过跋涉，秦羽凭借蛛丝马迹已经接近目的地，却发现了大量的蛇蜕......

　　“安布罗斯扮演警探尚恩，他走出的搭档死去的伤感重新回归工作，但是却意外发现他的搭档原来是被谋杀身亡的，凶手试图将罪名陷害于他，但是尚恩极力反抗。在自己管辖的地区遭到算计的尚恩决定要揭露真凶丑恶的面目，为自己洗脱罪名。经过了12回合的搏斗，最后加上一发用以救赎的子弹，在这场激动人心的战栗片中，已经没有人能够阻挡这位寻求复仇的警探尚恩了。

　　高正辉（方中信 饰）乃警方卧底，为掩饰身份而混入黑社会，但常被其父所责骂。其父因得悉程立山（龙方 饰）之犯罪勾当而被杀害，辉往祭父时与亲妹高智玲反目。辉为了爱人Lisa（叶晨 饰）与妹妹着想决心抽身退出江湖，但遭上司否决。辉借机与程手下阮文混熟，二人往与大圈仔交易时遭伏击，又被智玲率警员追捕，辉乘机向阮文教唆杀程，但阮文下手之际突感犹豫，辉唯有夺枪轰程，但遭程手下乱枪还击，辉身中多枪，此时智玲已领警员前来逮捕他。

一名钢铁般的特种部队特工发现，当他潜入一个犯罪集团并意外地与老板的小儿子建立联系时，他的道德受到了考验。

　　张君宝辞别父母，离家远行，偶遇严羽，得知上官姐弟在台州，便答应严羽去台州联系义士吴明忠，张君宝解救了将被官府问斩的吴明忠，并约好与其共赴襄阳。

　　职业保镖团队蒋南英、胡丽妃和马燕妮从小一起长大，情同姐妹。3年前一场行动，因为蒋南英失误，使马燕妮意外身亡，满心愧疚的蒋南英退出保镖行业，直到胡丽妃找到她......

　　中国维和警察丁隐所在的小队在某国执行维和任务时遭到突袭，丁隐率同伴李大石、雷娜、特拉法、里昻一行人进入密林，不料却陷入难以逃脱的“象冢”，几个不同身份背景的人面对生死考验和人性抉择。丁隐将如果破解迷局杀出重围？

该片是一部犯罪动作片，讲述了潜入犯罪组织的刑警“姜秀”（郑珍云 饰）和犯罪组织的“勇植”（赵在允 饰）以各自的目的成为一个团队的两个男人之间展开的团队合作。

　　最先与灭霸军团遭遇的雷神索尔一行遭遇惨烈打击，洛基遇害，空间宝石落入灭霸之手。未几，灭霸的先锋部队杀至地球，一番缠斗后掳走奇异博士。为阻止时间宝石落入敌手，斯塔克和蜘蛛侠闯入了敌人的飞船。与此同时，拥有心灵宝石的幻视也遭到外星侵略者的袭击，为此美国队长、黑寡妇等人将其带到瓦坎达王国，向黑豹求助。幸免于难的索尔与星爵一行相逢，随后他们兵分两路。索尔与火箭、格鲁特踏上再铸雷神之锤的旅程，星爵则与卡魔拉等人试图阻止灭霸的恶行。而知晓灵魂宝石下落的卡魔拉，同样是其义父灭霸追踪的对象。
　　攸关整个宇宙命运的史诗战役全面展开，超级英雄们为了平凡而自由的生命奋不顾身……

　　方家两兄弟龙进（陈晓东 饰）和龙就（吴镇宇 饰）自小就在外婆家相依为命，然而，在龙就8岁的时候，他做了一件所有人看来都不可思议和不能原谅的事：小龙就拿了外婆家里的5万块钱，之后失踪了。哥哥的离去一直令到龙进耿耿于怀，其一是因为他拿走了外婆的5万块钱，但更多的是对他不辞而别抛弃自己而不解。
　　一晃数年过去了，龙进已经长大成人，还结交了一个要好的女友Jess（吴佩慈 饰）；另一方面，龙就已是泰国黑帮的一员，还和黑帮兄弟一哥的妹妹阿雪（梁咏琪 饰）相恋了。外婆过世后，龙进终于有机会去解开他多年的心结，于是，他带着Jess踏上前往泰国寻找龙就的航班。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.